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DHANY

One of the first global superstars to join the Eurodance Vibes label is Italian singer songwriter Dhany (aka. Daniella Galli), who is recognised as being one of the premier white soul voices in dance music.

Dhany’s vocals have featured on many hits under both her own name and as part of the Benassi Bros dance project. She has released two albums, ‘Quiero Respirar’ (2000) and ‘Emotions’ (2007) and has written songs for many dance
music projects including In-Grid and Whigfield. Her biggest global hit with the Benassi Bros, ‘Every Single Day,’ has now been
streamed on Spotify more than 17 million times with more than 59 million views on YouTube, while ‘Hit My Heart’ has had more than 16 million streams on Spotify. Dhany has almost 482,000 monthly listeners on Spotify.

THE BEGINNING

Who inspired you to want to create music and what age were you when you first started singing?

During my studies, when I was 20 years old, I started singing in clubs, with some fellow professional musicians, who pushed me to try the musical activity. Let’s say, I started by chance.

How and when did your music career begin?

After a few months of experiences in small clubs with an acoustic duo, I’ve been involved as lead singer in some funky and jazz bands. I actually started touring up and down Italy and then I realized that it was time to try to work more seriously and invest more time and energy on this. So I decided to train with a professional teacher, who taught me the classic vocal technique.

Your dance music career started in 1995 when you joined the Italian record company Off Limits and released the hit singles, ‘Somebody To Touch Me’ and ‘Street Life’ with the KMC Team. Which of your single releases from the 90’s are most special to you and why?

Soon after my first two years of training, I was contacted by Larry Pignagnoli, the founder and boss of Off Limits production, which was one of the main independent labels in Italy for dance and house music. I signed with Off Limits and that’s how my dream began. I have a very special connection with ‘Somebody To Touch Me’. This was my first record - I remember every moment, the day I wrote the song, the favourable feedback of the label, the making of the cover, the day I drove back home with my first vinyl in my hands and the first day I heard the song at the radio. I was wondering if I was living a fairy tale or if everything was true. At the age of 22 it was something really special. I’ve been very lucky to have the chance to work with such a great team.

In 2004 you became part of the globally successful Benassi Bros team with numerous singles including ‘Hit My Heart’ and ‘Every Single Day’ along with albums ‘Pumphonia’ and ‘Phobia’. How did the success of this project change your life and music career?

My career has taken a turn. Benny and Alessandro are two extraordinary professionals, who have trusted me and from whom I have learned a lot. As well as from Larry, who has been a mentor to all of us. Since 2004 I have had the opportunity to confront myself with large audiences in Europe and the United States, as well as to continue my tour that has been going on uninterruptedly for 20 years. I have also trained a lot as a performer, travelling and meeting heterogeneous audiences in over 30 countries.

THE MUSIC BUSINESS

What do you enjoy the most about working in the music industry?

I deeply love my job and I consider it a privilege to be able to live and work doing what you like most. I love being creative, expressing emotions with my music, connect with people, fellow musicians and public. I also like to travel. And this job offered me all those fantastic things.

What has been the greatest accomplishment in your music career to date, and how has this shaped your career and outlook on life since then?

Being creative means being constantly looking for something, for growth and improvement. I couldn't tell you what my greatest accomplishment has been. Every time I start a project I try to convey a message, an emotion, some energy. If the public gets it I consider it a great achievement.

Reflecting on your continued success in the music industry over the last 30 years, what do you think are the most important qualities of a hit record?

I don't think there is an authentic formula. I believe instead in a series of factors and circumstances that converge to create the result. In my personal case the hits were definitely born from teamwork: we had an extraordinary team. Everyone brought their skills and we worked towards a common goal, with great balance and without personal ambition.

What music awards have you won during the course of your career, and which award is most special to you?

 

As a songwriter, together with Benny and Alessandro, we won double gold in France for the album ‘Hypnotica’, in which I had written many lyrics. As a songwriter and singer, another gold for the album ‘Pumphonia’ and one gold for ‘Phobia’. I guess the last gold has been the most significant, as I was already touring in France since a couple of years when it happened and these sales
have been a great re confirmation of the loyalty of our audience and a great sign of appreciation by the media who always supported us very much.

How much input and involvement did you have with the production of your records back in the 90’s compared to now?

I have always participated very actively in the creation of my productions, I have written almost everything I have sung and it is still like that. When a singer is also a melodist and a songwriter I believe it is essential that they can express themselves to be more credible. It is equally important that there is a great work team around to bring the original idea to its maximum completion without distorting it. Benny and Alessandro had understood this perfectly and allowed my melodies, which were sometimes long and a little too complex, to become simpler and more effective, in addition to arranging them in an extraordinary way. I am still amazed by how much energy is released from their arrangements.

You have toured in over 30 countries around the world. In which countries are your Benassi Bros songs the most popular, and which songs get the loudest crowd reactions when you are performing?

After the first very intense period of touring in France, Russia and Eastern Europe, for several years I have been carrying out a successful tour in Poland. The Polish audience, in clubs and festivals, has given me and continues to give me so much, both in the enthusiasm with which they participate in my live shows, and on the platforms, supporting me with streaming. I have a rich fanbase, which I particularly love, also in the Baltic countries (Estonia, Lithuania). Thanks to my management Eastwest Events, last year I also brought my concerts to the USA and UK and this year I will also tour in Hungary, Czech Republic and Denmark. In the setlist the most popular song is ‘Every Single Day’, which has been written by my dear friend Annerley Gordon.

What has been the most memorable highlight of your music career to date?

Without a doubt my first day of radio promotion for ‘Hit My Heart’ in France. Suddenly I found myself on stage at one of biggest arenas in Paris, with an artists’ list full of international stars that I had only seen on TV and that I would never have imagined I would meet in the dressing rooms... something that made my knees tremble... a huge responsibility. I remember that I was terrified by the idea of giving a bad performance and thus losing everything. Then I started singing and suddenly everything went well.

 

What is your best piece of advice for someone who wishes to become a singer or songwriter in the music industry today?

I advise young people who want to pursue a musical career to strengthen themselves with good preparation to acquire many different skills. Work always pays and the meaning of what we do is not in the results achieved or how high we get. The real goal is to get to do every day to live doing what we love most.

What is it about dance music that makes you continue to be passionate about the genre after so many years of singing and songwriting?

There are several reasons. I have always had a soul attitude in my voice and I express myself better in genres such as funk and r'n'b. House and dance have allowed me to free this trait of my voice, as well as the possibility to sing in English. Secondly, I must admit that I have had much more feedback in other countries, rather than in Italy and for this reason I think that writing and singing in English was an excellent choice for me, which has allowed me to access a much wider audience.

What is the most valuable lesson you have learned in your music career?

A very positive lesson. The secret is to never give up. Before the millennium era I was feeling unmotivated very often, I thought I was not enough as a singer or as a songwriter. Many times I was one step away from leaving the music world. Luckily a voice inside me always told me to go on and I listened to it. You never know what can happen tomorrow.

CREATING MUSIC

How did your collaborations with the Eurodance Vibes Team and Australian dance music producer Samus Jay come about?

My longtime colleague Annerley Gordon put me in touch with the Eurodance Vibes team. Together we worked on a first release ‘One night with you’, where, for the first time in many years we performed together again. Thanks to the Eurodance Vibes team and once again with the collaboration of Annerley, the release ‘Electricity’ was born together with Samus Jay for his project.

How long does it usually take to write the lyrics for a new song once you have been given the instrumental demo track, and what inspires you to create these? Do you prefer to write songs on your own or collaborate with others during this process?

It can take an hour or a week. It depends on the inspiration. There are songs that I wrote in 10 minutes, they came out all together, lyrics and music, in one go. Others in which I had to review some parts many times, before arriving at the right version. I usually prefer to have writing partners, not many people, one or two. if I write alone I tend to be "talkative" and always put too many notes.

You have worked with more than 50 producers in your music career on more than 200 projects - which projects have been most special for you, and why?

Surely the chemistry that was created in the studio with the Benassi team was unique and unrepeatable. We had the opportunity to share many months of work together and this over time had generated a unique harmony... in the most intense periods we practically wrote almost a song a day. It's a way of working that is gradually getting lost a bit. Nowadays technology allows you to collaborate asynchronously with producers: each member of the team has his own home studio, we often work at separate times. This process helps reducing production costs, but, in my opinion, it reduces also group creativity a bit. There's less interplay... in this sense I'm a bit old-fashioned, I like to spend afternoons in the studio making demos with fellow musicians.

Which is your favourite part of creating a new song - writing the lyrics, recording the vocals in the studio or performing the song live in public?

My favourite moment is definitely the performance. After all the creative work that has gone into it, the greatest satisfaction is proposing the song to the public and seeing the reaction. I tend to listen to the fans' feedback a lot and I love it when they tell me episodes related to my songs or explain their personal interpretation.

During your career you have written many songs for other artists. Which style of music do you most enjoy writing for, and why?

I don't think there is a specific genre that I prefer to others. I am lucky to have written for great vocalists. When I write for others I always try to identify as much as possible with the vocal approach and charisma of the artists I write for. On one hand it is easier, you feel less involved and freer, especially if you write for singers with vast vocal means, as happened to me. I must say that very often the result is superior to my expectations... a great interpreter has the gift of being able to embellish any melody with something of his own and unique.

If you could go back in time to the 90’s, what advice would you give to your younger self?

If I could go back I would do everything I did in the same way... The only thing is ...I would definitely write more songs and spend more time on DAW (Digital Audio Workstations)... the only thing I regret is having been a bit lazy from this point of view... there were producers who did it very well... now I realize that if I had more familiarity with technology I could have written much more and much better things... in our genre it is fundamental.

If you had to choose a career other than singing and songwriting, what would it be, and why?

Another big part of my work and life now is being a vocal teacher. I teach at the Creative Hub Academy in Bologna (Italy). I have many students that I adore. I love seeing new talents grow and helping young artists discover themselves and
shape their dreams. It’s exciting.

THE FUTURE

Which artist (from any genre of music) would you most like to collaborate with on a future project, and why?

It is universally known that I am one of the most ardent Madonna’s fans in the world. I grew up with her songs, I formed my voice singing ‘Like a Prayer' and ‘Into the Groove’, I have always admired her as a model of a diva and an absolute star, capable of anticipating trends... if I can dream big, I would dream of a collaboration with her... dreaming costs nothing after all and then in life you never know!

What musical goals do you want to achieve this year?

From February to December I will be on tour in Europe and I can't wait to start again. I will soon have a new release with a famous Italian producer and I'm very excited. I have many new projects I'm working on and my head is full of new
ideas... well... it's still early for retirement!

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